"Last Thursday Fair" on Alberta Street in Portland. Very fun, exceptionally colorful, delicious food and even better company. Even the ominous Oregon rainclouds couldn't keep folks from coming out to play....
Showing posts with label Oregon. Show all posts
Showing posts with label Oregon. Show all posts
Friday, May 28, 2010
Thursday, May 27, 2010
Thursday in Portland
When a photographer has a good day...
on NE Klickitat Street in Portland, Oregon
Wednesday, April 28, 2010
A Lifetime Love Affair (Part I)
Okay. Fair warning dear blog readers. This is a long post. It's so long, in fact, that I'm splitting into three parts. It's essentially about expression of self, but it's also a story that I realized I wanted to give my kids. Partly so they can understand their mom, and partly to encourage them to pay attention to the things in life that feed their souls. So....read on, or tune in next week for a change in topic! ~ mlp
in Just-
spring when the world is mud-
luscious the little
lame balloonman
whistles far and wee
and eddieandbill come
running from marble and
piracies and it’s
spring
when the world is puddle-wondeful
the queer
old balloonman whistles
far and wee
and bettyandisbel come dancing
from hopscotch and jump-rope and
it’s
spring
and
the
goat-footed
balloonman whistles
far
and
wee
We also had a long discussion about the license that cummings took with his punctuation and suddenly, everything I knew about conventionality and creativity changed. I began to surmise that to be completely daring - one must be comfortable with putting down the manuals and rule books, step off the edge of the writer's cliff and never look back.
At fourteen, with the help of my very hip ninth grade English teacher, Terry Wells, I fell in love with the lyrics of Paul Simon:
“Time it was and what a time it was,
A time of innocence,
A time of confidences,
Long ago it must be,
I have a photograph,
Preserve your memories,
There all that's left you...” (from Old Friends)
and declared that despite that fact that Simon was disguised as a musician, he was actually one of the greatest poets I’d ever encountered. And as I merged into the fast lane of adolescence, I began regularly writing my own poems which were, by the way, very very bad. They were full of teen aged angst and sorrow and filled with yearnings for true love and devotion; in a nutshell, they were schlock.
It was in high school that things turned a little sour. For the first time, I encountered teachers teaching poetry who didn’t understand it, didn’t like it and definitely didn’t want to teach it. You see, Americans, in general, are uncomfortable with poetry. Because of the poetry education that adults once had, or lack thereof, they've been left with the sense that poetry is a subject rather than an art, an experience, or a source of pleasure. However, since I hadn’t drunk the Kool Aid, I was unlike my teachers and classmates who abhorred the required annual poetry unit. My writing continued, and I learned to quietly curb my enthusiasm until my senior year.
The poet and essayist among those writers, was Kim Stafford (son of poet laureate, the late William Stafford) who further nurtured in me the idea that poems could be found everywhere and in any topic. Whole themes could arise from a single phrase or word overheard on a city bus, read on a billboard or awakening one in the middle of the night. Kim advocated for carrying a notebook to jot ideas, and whether he learned it from his father I don’t know, but like Stafford senior, he was adamant that writing daily was as essential as breathing for a poet. Then, and now, his convictions about writers are strong, “Writers have a place in this essential work -- to question, listen, and tell the connecting stories of human experience, the quiet voices of local life everywhere.”
Soon after, I started university and turned eighteen. If it hadn't happened significantly enough by then, that was the year my dear Sarah, that the work and words of one poet in particular changed my life.
(End of Part I)
Dear Sarah,
We had a pretty good row this morning about...well,many things I suppose. It was about socially acceptable behavior and who defines what’s right and wrong, it was about judgment of others and ourselves, it was about boundaries and it was about taking a stand for what you believe in. That’s a lot of big stuff to cover in just a few minutes at a fairly heated level of exchange, and I hope we can revisit all of it in a more leisurely peaceful fashion in the near future.
But for now, my darling, I want to talk to you about what started the argument: poetry. I offered you an e e cummings poem to take into English class, where you are currently studying poetry and cummings, and you blanched about taking the poem to your teacher. I then, got more than a little upset with you and the rest is - as they say - history. In fact though, the rest is the story about a lifetime love affair with poetry and how pursuing what you love, will change you forever.
I first declared that I wanted to be a poet “someday” in the fourth grade. A local poet by the name of David Zaslow, came to Lincoln Elementary School to teach us how to "be a poet." His opening reading was the William Carlos Williams’ piece, “This Is Just To Say”
I have eaten
the plums
that were in
the icebox
and which
you were probably
saving
for breakfast
Forgive me
they were delicious
so sweet
and so cold.
I was mesmerized. David went on to teach us about metaphor and simile, about onomatopoeia and alliteration. He coaxed haiku and small rhyming bits from us, and read aloud from a collection entitled “Reflections on a Gift of Watermelon Pickle” that held 114 treasures about topics ranging from hunting to loneliness, old dogs sunning themselves to biscuits, arithmetic to baseball games. In short, wonderful snippets and stories bound into a few graceful lines - about anything and everything in life. I learned that no topic was off limits, a few key words could speak volumes, and a truly good poem would reach into your gut and momentarily take your breath away.
Mr. Cummings (or shall I say "mister cummings") showed up in my life a couple years later, when I was given a wonderful introduction at about aged twelve by Joe Dubay, a dear family friend. Joe pulled a volume off a shelf in my parent’s house, and asked me if I ever read poetry? I said yes, but confessed that “that guy’s stuff was hard for me to figure out.” Four readings later - together and out loud - and I was hooked. The poem was “in Just”
We had a pretty good row this morning about...well,many things I suppose. It was about socially acceptable behavior and who defines what’s right and wrong, it was about judgment of others and ourselves, it was about boundaries and it was about taking a stand for what you believe in. That’s a lot of big stuff to cover in just a few minutes at a fairly heated level of exchange, and I hope we can revisit all of it in a more leisurely peaceful fashion in the near future.
But for now, my darling, I want to talk to you about what started the argument: poetry. I offered you an e e cummings poem to take into English class, where you are currently studying poetry and cummings, and you blanched about taking the poem to your teacher. I then, got more than a little upset with you and the rest is - as they say - history. In fact though, the rest is the story about a lifetime love affair with poetry and how pursuing what you love, will change you forever.
I first declared that I wanted to be a poet “someday” in the fourth grade. A local poet by the name of David Zaslow, came to Lincoln Elementary School to teach us how to "be a poet." His opening reading was the William Carlos Williams’ piece, “This Is Just To Say”
I have eaten
the plums
that were in
the icebox
and which
you were probably
saving
for breakfast
Forgive me
they were delicious
so sweet
and so cold.
I was mesmerized. David went on to teach us about metaphor and simile, about onomatopoeia and alliteration. He coaxed haiku and small rhyming bits from us, and read aloud from a collection entitled “Reflections on a Gift of Watermelon Pickle” that held 114 treasures about topics ranging from hunting to loneliness, old dogs sunning themselves to biscuits, arithmetic to baseball games. In short, wonderful snippets and stories bound into a few graceful lines - about anything and everything in life. I learned that no topic was off limits, a few key words could speak volumes, and a truly good poem would reach into your gut and momentarily take your breath away.
Mr. Cummings (or shall I say "mister cummings") showed up in my life a couple years later, when I was given a wonderful introduction at about aged twelve by Joe Dubay, a dear family friend. Joe pulled a volume off a shelf in my parent’s house, and asked me if I ever read poetry? I said yes, but confessed that “that guy’s stuff was hard for me to figure out.” Four readings later - together and out loud - and I was hooked. The poem was “in Just”
in Just-
spring when the world is mud-
luscious the little
lame balloonman
whistles far and wee
and eddieandbill come
running from marble and
piracies and it’s
spring
when the world is puddle-wondeful
the queer
old balloonman whistles
far and wee
and bettyandisbel come dancing
from hopscotch and jump-rope and
it’s
spring
and
the
goat-footed
balloonman whistles
far
and
wee
We also had a long discussion about the license that cummings took with his punctuation and suddenly, everything I knew about conventionality and creativity changed. I began to surmise that to be completely daring - one must be comfortable with putting down the manuals and rule books, step off the edge of the writer's cliff and never look back.
At fourteen, with the help of my very hip ninth grade English teacher, Terry Wells, I fell in love with the lyrics of Paul Simon:
“Time it was and what a time it was,
A time of innocence,
A time of confidences,
Long ago it must be,
I have a photograph,
Preserve your memories,
There all that's left you...” (from Old Friends)
and declared that despite that fact that Simon was disguised as a musician, he was actually one of the greatest poets I’d ever encountered. And as I merged into the fast lane of adolescence, I began regularly writing my own poems which were, by the way, very very bad. They were full of teen aged angst and sorrow and filled with yearnings for true love and devotion; in a nutshell, they were schlock.
It was in high school that things turned a little sour. For the first time, I encountered teachers teaching poetry who didn’t understand it, didn’t like it and definitely didn’t want to teach it. You see, Americans, in general, are uncomfortable with poetry. Because of the poetry education that adults once had, or lack thereof, they've been left with the sense that poetry is a subject rather than an art, an experience, or a source of pleasure. However, since I hadn’t drunk the Kool Aid, I was unlike my teachers and classmates who abhorred the required annual poetry unit. My writing continued, and I learned to quietly curb my enthusiasm until my senior year.
That year, named one of the Oregon’s top young poets through a state contest, I was awarded the honor of spending a full week studying with three very distinguished Northwest writers. More importantly though, I was offered the perspective-changing experience of sharing time with a dozen other kids from around the state who loved writing as much as me. And trust me when I assure you, we weren't a bunch of horn-rimmed, pocket protector geeks. Writers are crazy, imaginative, spontaneous people - at any age, they are passionate about life, know how to have fun and are fairly fearless when it comes to expressing themselves!
The poet and essayist among those writers, was Kim Stafford (son of poet laureate, the late William Stafford) who further nurtured in me the idea that poems could be found everywhere and in any topic. Whole themes could arise from a single phrase or word overheard on a city bus, read on a billboard or awakening one in the middle of the night. Kim advocated for carrying a notebook to jot ideas, and whether he learned it from his father I don’t know, but like Stafford senior, he was adamant that writing daily was as essential as breathing for a poet. Then, and now, his convictions about writers are strong, “Writers have a place in this essential work -- to question, listen, and tell the connecting stories of human experience, the quiet voices of local life everywhere.”
(End of Part I)
Thursday, April 22, 2010
Careful Out There!
Did you know that April is “Children and Nature Awareness Month”? I didn’t. In my world, and in my children’s world - every month is Children and Nature Awareness Month. I realize, however; that we are a rare breed of family these days.
As a mother, teacher, artist and poet I have very strong feelings about Nature and its roll in the lives of children. I strongly hold the opinion and belief that Nature is at the root (no pun intended) of creativity. Nature is grounding, healing, humbling, miraculous, inspiring, frightening, beautiful, vividly honest and a teacher. Nature is an equalizer. I feel that this all applies to ALL of us - of ALL ages.
It wasn’t so many decades ago in our country that when some children were released from school for the day (if they went to school), and they headed home to work on their family farm or, if they were of an age, some other part time afternoon job. If they did neither - they were loose and rambling. In cities, they rambled in and out of doors in a cityscape. In less populated areas, there were woods, fields and beaches to explore.
As anyone who is paying attention or has kids today knows, the after school and summer vacation-time lives of American children has changed radically - definitely since I was a child forty-odd years ago - but even in the last ten years. In our relatively small community alone (and granted, this is a fairly affluent community), there are programs galore. There are languages to study, toys beyond belief, waaaaayyy too much electronic stuff, music (which is wonderful), lessons – lessons – lessons…sports, groups, clubs and so forth. If you look at the calendar hanging in the average Ashland kitchen that tracks the movements of our “average” American children, it truly is incredible. Hopefully, there is gratitude for all of these opportunities, and yet - I’m feeling a bit of melancholy as well.
I’ve a fond childhood memory is of sitting in the apple tree near our family home on Oregon Street. The tree grew in a vacant lot (now there’s a term infrequently used lately), and ones main objective was to get up as high into the branches as possible and eat the tart apples while throwing the wormy ones down the adjacent street. Picture it: the arching, spinning toss of a bright green apple against a pale blue afternoon sky and dangling bare legs and pavement dirty feet hardly visible through the leaves. Hear the laughter and cry of delight at the “Pop!” of the fruit striking the ground; the skin bursts and viridescent flecks go flying, white flesh and seeds explode and scatter across the dark asphalt. Breathe in the too sweet fermenting aroma of windfalls which are composting slowly in the leaves and dirt below, and grin with delight at the mischief and poetry of this simple pastime…sitting in an apple tree.
We have to wonder, in our present busy lives, how many children have spent even ten minutes in an apple tree, much less picked their own tart Granny Smith from a heavy branch? How many backlot spy games will transpire this afternoon? Walks down spring rain dampened dirt paths? Contests among friends in an open field without a whistle or a score keeper or a clock - where the rules evolve as the sport unfolds and officiating occurs by consensus and fair play?
How many of our children know how to hang out in Nature? How many of YOU know how to hang out in Nature?
It’s really not that complicated and definitely no big deal. You do not have to go camping or hike some steep mountain. Just step outside a few extra yards today. Leave your agenda (and your iphone) behind. Whether the place in nature is a window box, a back yard, an apple tree or the deep woods – when Nature and humans are brought together peacefully – there is positive alchemy that feeds imagination, curiosity, intelligence, relationship with self - and thereby others, and one’s very soul.
Careful out there. If you do it everyday, in some small way, even for just a moment or two - you will change. For the better.
To explore the very real phenomenon of Nature Deficit Disorder, check out the incredible work of Richard Louv, author of Last Child In The Woods.
To read up on how other communities are pursuing No Child Left Inside, start here with a fantastic article from Orion magazine.
To change your mind and your heart, the only link to click is the off button on this box. Try it for a bit, and take a walk in your neighborhood.
Monday, March 29, 2010
Once upon a time in Luning
Luning, Nevada. Located in Mineral County. Listed as a ghost town.
Driving south from Fallon, Nevada along U.S. Route 95 (the major 646 mile long highway that runs north to south directly to Las Vegas), one is treated to a stark and dramatic landscape of both naked nothingness (or so it seems to the novice passing eye) and nature in her most raw miraculous form. This is high desert county where daily survival of plants and animals is an act taken neither lightly nor for granted. Rough dirt and sand stretches blandly away from the asphalt into distant rolling hills, followed by folded steeps of curved perfection, into valiant and ruggedly stunning snow-capped monumental ranges of the truest velocity.
Most of the little towns - pinpoints along I 95 map - are simply and literally falling apart. We saw wind blown and weather-wrecked buildings, trash heaps and gully-washed ruts large enough to swallow whole houses and cars, abandoned everything (even military bases)...clapboards shacks, mining machinery, rusting signs, now broken promises of cold beer - hot coffee - rooms for rent - ice cold Coca-Cola, whispers of lives that once were - banging unheard along the exposed highway.
Passersby barely slow. They maybe, just barely, even give it all a notice or a thought - that once in Mina, you could get a hair cut or have your oil changed, and once in Goldfield, you could stay at the historic hotel where today each window across the first floor bares a bright red "No Trespassing!" sign, or three miles down the road you could find the Shady Lady Brothel.
All this evidence that “humanity came here once, but gave up and left” poked at my heart, as we made our way across the Silver State. While the distant ranges and changing colors of the steeps and mountains pulled us forward in anticipation to our adventures in Death Valley, the forlorn roadside trash provoked me - the way watching a bloody boxing match makes you want to look away and yet, you can’t.
It’s the stuff of life. It’s the oddness of human behavior flanked by impressive natural beauty, and it’s hope declared out loud and then lost in silence to something more powerful.
Thanks to those among you who endorsed my recent two week break from blogging. It's been a rich time with pen and paper and a healthy step back from the screen. It's also lovely to be home. ~ mlp
Friday, February 26, 2010
The Soul Of My Boots
I held my first “real” job during the summer of 1978 in Jackson County, Oregon working for the Youth Conservation Corps which at that time was managed through our local Bureau of Land Management office.Definition of “real” to me at fifteen years old included the following characteristics: an application and interview, a dress code, a commute to work, an absolute starting time and a regular quitting time, Monday-Friday, rain or shine and a proper paycheck (though minimum wage at that time was $2.65 an hour - so however proper it might have been, is arguable).
In a nutshell, YCC is a National Parks Service program employing youth between 15 and 18 years old to do everything from clear invasive species, to build and repair trails, to upkeep park’s facilities like playgrounds and picnic areas, to piling and burning slash, to helping demolish old buildings. That particular summer, our main project was building the Sterling Creek trail outside of historic Jacksonville (picture scrub oak and madrone, and very dry soil conditions in the traditional 100+ degree July weather of Southern Oregon). I used tools with names like pulaski, mattock, McLeod, grub hoe, council tool and the ever popular pick axe. Almost all of them involved swinging with a fair degree of momentum and upper arm and shoulder strength, and yes - I was pretty continuously sore that entire summer.
Everyday at 5 am I would drag my grumpy teenaged butt out of bed, make a behemoth sack lunch, fill my canteen, dress in the required gear (long denim pants, long sleeved denim shirt bearing the proud green and white YCC patch, over the ankle leather boots, 3/4 length leather work gloves and a bright yellow hard hat) and walk down to the corner convenience store to be picked up by one of our crew leaders with whom I commuted from Ashland into Medford. We’d arrive at the Medford armory by 6:30 to get our daily assignments and be loaded into pale green BLM vans and on our way by 7 AM. We’d be returned eight hours later - filthy, stinking, red faced, dehydrated, famished and $21.20 richer.
Let me get one thing very clear here. I was not a soft girlie girl at fifteen. I was an athlete, a tom boy of the highest order, a wizened treehouse builder and explorer of all things dirty, muddy and imbedded in poison oak, a seasoned weed puller and gardening assistant to my parents and an avid camper. If anyone could make it in YCC, it was me. Right. After two weeks I was completely ready to throw in the towel - or trowel - or whatever. I had never worked so physically hard in my entire life. Never. Never. Never. And never mind that the 5 am thing was killing me, too! Had it not been for my boyfriend Joe’s dad, I surely would have quit. But he sat me down one evening while I was whining about the work and gave me the most wonderful and positively delivered version of the “Once a quitter always a quitter” speech that I could have ever asked for. He helped me change my mind, and I then became my own agent in changing my life.
Had I quit, in the ensuing eight weeks I would have missed out on learning to build a cross buck fence (a part of which still stands around one end of Hyatt Lake, and I can look at with pride even after 32 years). I would have missed the day we were rewarded by a trip to Crater Lake and the exhilaration I felt while running off the dock at Wizard Island and flying into the icy cold, crystal clear, aqua-colored ancient waters. I would have missed standing with my cohorts by the Sterling Creek sign that declared it was build by the YCC. I would have missed being tapped by a supervisor to spend an entire day in the field with a wildlife biologist doing bird counts and especially, tracking down and locating endangered owls in the Cascade Mountains. I would have missed the comedy of peeling off my jeans each afternoon with my gloves still on so I wouldn’t get poison oak from my britches - and the look of respect that my father gave me as I would tell him about my day. I would have missed discovering an essential part of myself - that self that doesn't just work until it’s hard, but works past the point of “hard” to “accomplished.”
Any what, pray-tell, does any of this have to do with Boot Week in the studio? Well, I was thinking last night about boots I have worn and the life I have experienced while decked out in this particular form of footwear. I kept trying to figure out, which pair of my boots do I “love” the most (aka - which life experience in boots has left an indelible mark?), when I realized - the pair I love the most are the boots I wore that long hot dust-covered summer working for YCC. When it was over, I couldn’t part with them, you see. First of all, after three months of wickedly hard wear and tear, I had worn them to a slipper comfort-like cured quality, and anyone who has ever tried to break in boots will tell you, that’s a beautiful thing for one’s feet. But mostly, they stayed with me as worn leather trophies of a job well done and my literal symbols of the proverb “walk my talk.”
Two years ago, my elder daughter found them in a box and asked if she could wear them for hiking and service work at school. I took them out, rubbed the cracks smooth with beeswax, and passed them over to her with pride.
In a nutshell, YCC is a National Parks Service program employing youth between 15 and 18 years old to do everything from clear invasive species, to build and repair trails, to upkeep park’s facilities like playgrounds and picnic areas, to piling and burning slash, to helping demolish old buildings. That particular summer, our main project was building the Sterling Creek trail outside of historic Jacksonville (picture scrub oak and madrone, and very dry soil conditions in the traditional 100+ degree July weather of Southern Oregon). I used tools with names like pulaski, mattock, McLeod, grub hoe, council tool and the ever popular pick axe. Almost all of them involved swinging with a fair degree of momentum and upper arm and shoulder strength, and yes - I was pretty continuously sore that entire summer.
Everyday at 5 am I would drag my grumpy teenaged butt out of bed, make a behemoth sack lunch, fill my canteen, dress in the required gear (long denim pants, long sleeved denim shirt bearing the proud green and white YCC patch, over the ankle leather boots, 3/4 length leather work gloves and a bright yellow hard hat) and walk down to the corner convenience store to be picked up by one of our crew leaders with whom I commuted from Ashland into Medford. We’d arrive at the Medford armory by 6:30 to get our daily assignments and be loaded into pale green BLM vans and on our way by 7 AM. We’d be returned eight hours later - filthy, stinking, red faced, dehydrated, famished and $21.20 richer.
Let me get one thing very clear here. I was not a soft girlie girl at fifteen. I was an athlete, a tom boy of the highest order, a wizened treehouse builder and explorer of all things dirty, muddy and imbedded in poison oak, a seasoned weed puller and gardening assistant to my parents and an avid camper. If anyone could make it in YCC, it was me. Right. After two weeks I was completely ready to throw in the towel - or trowel - or whatever. I had never worked so physically hard in my entire life. Never. Never. Never. And never mind that the 5 am thing was killing me, too! Had it not been for my boyfriend Joe’s dad, I surely would have quit. But he sat me down one evening while I was whining about the work and gave me the most wonderful and positively delivered version of the “Once a quitter always a quitter” speech that I could have ever asked for. He helped me change my mind, and I then became my own agent in changing my life.
Had I quit, in the ensuing eight weeks I would have missed out on learning to build a cross buck fence (a part of which still stands around one end of Hyatt Lake, and I can look at with pride even after 32 years). I would have missed the day we were rewarded by a trip to Crater Lake and the exhilaration I felt while running off the dock at Wizard Island and flying into the icy cold, crystal clear, aqua-colored ancient waters. I would have missed standing with my cohorts by the Sterling Creek sign that declared it was build by the YCC. I would have missed being tapped by a supervisor to spend an entire day in the field with a wildlife biologist doing bird counts and especially, tracking down and locating endangered owls in the Cascade Mountains. I would have missed the comedy of peeling off my jeans each afternoon with my gloves still on so I wouldn’t get poison oak from my britches - and the look of respect that my father gave me as I would tell him about my day. I would have missed discovering an essential part of myself - that self that doesn't just work until it’s hard, but works past the point of “hard” to “accomplished.”
Any what, pray-tell, does any of this have to do with Boot Week in the studio? Well, I was thinking last night about boots I have worn and the life I have experienced while decked out in this particular form of footwear. I kept trying to figure out, which pair of my boots do I “love” the most (aka - which life experience in boots has left an indelible mark?), when I realized - the pair I love the most are the boots I wore that long hot dust-covered summer working for YCC. When it was over, I couldn’t part with them, you see. First of all, after three months of wickedly hard wear and tear, I had worn them to a slipper comfort-like cured quality, and anyone who has ever tried to break in boots will tell you, that’s a beautiful thing for one’s feet. But mostly, they stayed with me as worn leather trophies of a job well done and my literal symbols of the proverb “walk my talk.”
Two years ago, my elder daughter found them in a box and asked if she could wear them for hiking and service work at school. I took them out, rubbed the cracks smooth with beeswax, and passed them over to her with pride.
Tuesday, January 12, 2010
"Oh My God...How Risky."
The wind and rain did some serious window rattling last night. My youngest - despite her own awareness of the mountains rising protectively around our hometown - asked as she was surrendering to sleep, "Are you sure we can't have a hurricane here?" It was a concern I remember having myself as a child in this very same town, and I cherished the sensation that we lived in such a remarkably safe place.
While social and economic times and ways of the world have grown and shifted, Ashland, Oregon has been fortunate to keep crime and calamity to a minimum. But it's not a utopia, so occasionally bad things happen to this good community. Most recently, a couple incidence of sexual assult. The response throughout Ashland has been swift and vocal. Newspaper articles, police warnings, a composite sketch, internet messages with safety tips, announcements at the University and local high school, and even a "Take Back the Night" march to raise awareness. It's good stuff. When alone it's smart to tune in; be familiar with one's surroundings; take off your ipod and listen to the world around you; practice "wide angle vision" (a tracking term for seeing and intuitive awareness much further than the distance between self and screen, steering wheel or Wii); walk with a "don't mess with me" confidence. They don't always stop the worst, but employing these tools and others will definitely increase one's odds of well being.
So, here am I, finishing today's blog so that I can -- go for a walk, in broad daylight, in the rain, ALONE! Oh my god...how risky.
Let's face it, we can spend our whole lives being afraid or cautious - or even equal and intelligent parts of both. We can employ every measure of safe living and behavior that we are taught. We can stay in, lock the doors, filter the water, "green" the house, eat organic, take our vitamins, put on our coat, walk with a buddy and carry pepper spray, but in the end, we have no control. Huh? Nope. Nadda.
Sometimes, no matter what you've done "right," a monster shows up. Shit happens -- in spades -- right in your own living room.
Having recently lost so much of the freedom I treasure so dearly and the sense of safety -- for myself and my loved ones -- that I have always prized, I will not relinquish a simple act that brings me joy. I will take walks.
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